Archive for the ‘Sebring movie reviews’ Category

MOVIE REVIEW: “District 9″

Monday, August 31st, 2009

District 9 01 BSTRANGER IN A STRANGE LAND: South African officials from a contracted private corporation identify themselves to an alien refugee in the exciting social commentary District 9.

PHOTO COURTESY OF SONY/TRISTAR PICTURES

Science fiction abounds in films of distinct character and effects. Some science fiction is visionary (Bladerunner, Colossus); some is fun and adventure (Star Wars, 20,000,000 Miles to Earth); Some is meant to play on the fears of lonely mankind in a big unknown (Alien, 2001: A Space Odyssey); while some is social commentary (such as many episodes in the original Star Trek series, The Day After Tomorrow).

District 9 fits into the last category. South African Director Neill Blomkamp has fashioned an earthy story of extraterrestrials into a parable about bad karma. Treat alien refugees stranded on your planet like dung and, guess what? Well, we don’t want to spoil the story for you. We can say that Blomkamp has drawn on his own country’s history of apartheid to paint a richly colored tapestry of human prejudice and discrimination and the natural degradations that result for both the discriminators and the discriminees.

You won’t recognize any of the actors or actresses, but don’t let that deter you from catching District 9. The story is intelligent. The acting is top notch. And so are the special effects. Remember that the hand of Peter Jackson (The Lord of the Rings trilogy) is present and helpful in a mighty way with the CGI effects.

This is Blomkamp’s handiwork, however, and he deserves the abundance of credit. Clearly he is clearly influenced by works such as Black Like Me, V, and Cloverfield/Quarantine, but District 9 is unique, and it is one of the best science fiction films we have seen in a while. We highly recommend District 9.

District 9 is rated R and plays at the Fairmount Cinema 6.

Our Sebring Cinema and Sports rating, zero to five reels:

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MOVIE REVIEW: “G.I. Joe: Rise of the Cobra”

Monday, August 31st, 2009

GI Joe 02 BSHE BAD: Rachel Nichols flexes her deadly weapons as G.I. Joe Scarlett in G.I. Joe: Rise of the Cobra, which plays at the Fairmount Cinema 6 in Sebring, Florida.

PHOTO COURTESY OF PARAMOUNT PICTURES

Sometimes nothing suits the eyes better than a bit of mindless mayhem at the end of summer. That’s what G.I. Joe: Rise of the Cobra is.

G.I. Joe is unvarnished eye candy that sports hunky studs (Channing Tatum, Marlon Wayans) and shapely cheesecake (Rachel Nichols, Sienna Miller) in tight form-fitting and form-enhancing plastiform suits.

There’s a little bit of story, just enough to provide segues to the extended CGI action sequences – rife with kung-fu swordplay, splatter guns, missiles, and all kinds of punches and explosions – that will keep young or inert intellects drooling down both sides of their chins.

G.I. Joe: Rise of the Cobra is easy fun, and it continues to do well at the box office. In fact, despite the presence of better films, the Fairmount Cinema 6 reports that it has been and is, generally, their top ticket seller.

G.I. Joe: Rise of the Cobra
is rated PG-13, mostly for action violence. Our Sebring Cinema and Sports rating, on a scale of zero to five reels, five being the best:

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MOVIE REVIEW: “Halloween II”

Monday, August 31st, 2009

Halloween II 01 BLONELY AND MISUNDERSTOOD: Michael Myers reflects on his handiwork in Halloween II, playing at the Fairmount Cinema 6.

PHOTO COURTESY OF DIMENSION FILMS

Horror fans, prepare yourselves for a hopeless, humorless world created by rocker turned film director Rob Zombie.

Can’t say there are no scares in Halloween II, for the screams of teens and young adults in the audience showed they were surprised by gut-ripping knife plunges and bone-cracking face stomps more than once.

Zombie’s Halloween II has none of the spooky surrealism of John Carpenter’s original, despite the interjection of the Jason-esque theme of the bloodthirsty dead mama calling her spawn to bring the trashy Myers family back together again.

Where Zombie horrifies you is with his vision of the real world, one that his lens captures painted in red, pale yellow, and dark shadowy tones and spray-painted with graffiti and satanic symbols; and one filled with disturbed characters disconnected from any sense of law or order and attired and cosmeticized as if they all lived at an industrial rock convention. Take, for instance, “Uncle Meat’s Java Hole,” a Haddonfield staple haunted by the town’s dysfunctional metal-pierced faces and an old fart from the LSD farm. It’s as bleak and dark as the underside of an overpass in the Bronx. The “Java Hole” is no Brewster’s Coffee House.

In short, there is nothing and no one normal in Haddonfield, so we are glad when Michael, depicted here as raw rage incarnate (like Jason, he becomes a lost kid dominated by his  mother in place of Carpenter’s silent, remorseless evil that marvels at its own bloodshedding), gets rid of them. It was ridiculous to see tiny men hurl their insults and threats at 7-foot-tall Michael (played by Tyler Manes) only to pay the price, just as it was laughable to see drizzles of blood on the walls near Michael’s victims, the decorative effect of cake tubes. The police do not see the trail of bodies pointing to Haddonfield, and Michael’s psychiatrist, Dr. Loomis, egregiously overplayed by Malcolm McDowell, lacks even the remotest particle of professionalism.

There is a fuzzy twist at the end, but it’s hardly worth the wait.

You won’t find much craft in Zombie’s derivative, hollow Halloween II, but plenty of crap. Caveat emptor.

Halloween II is rated R for extreme violence and gore, profanity.
Our Sebring Cinema and Sports rating on a scale of zero to five reels, five being a classic:

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MOVIE REVIEW: ‘Orphan’ Brings Home the Scares

Sunday, July 26th, 2009

Orphan 01 BLITTLE LUCIFERA: Esther (Isabelle Fuhrman) sets out to teach adoptive mommy Kate (Vera Formiga) a thing or two about who runs the house in Orphan.

PHOTO COURTESY OF WARNER BROS. INC.

SEBRING, July 26, 2009 – Big things come in little packages, in the case of Orphan, diabolical big things.

The Coleman family begins to unravel after the parents seek to replace a miscarriage with a child from a Catholic orphanage.

Turns out the child, Esther, is superficially sweet and sophisticated but has issues.

Orphan is about substance and appearance, being grounded yet entertaining emotional earthquakes that upend that grounding. It’s well acted by Peter Sarsgaard and Vera Formiga, and the script does a nice job of spotlighting the tensions and cracks in a relationship that can rip it apart without careful, loving attention.

Some might think it a bit long to reach its conclusion, but the thrills, suspense, tension, and scares are palpable.

Orphan is rated R for graphic violence, mature themes, and profanity. It plays at the Fairmount Cinema 6.

Our SEBRING CINEMA AND SPORTS rating, 0 to 5 reels, with 5 being a classic:

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BOX OFFICE: ‘Bruno’ Is Numero Uno

Tuesday, July 14th, 2009

SEBRING, July 14, 2009 – Hard charging gay supermodel Bruno climbed on top of the box office with a $30.6 million haul the weekend of July 10-12.

It was a tough win for Sacha Baron Cohen, not as well defined as his first effort,  Borat, and one that won’t last in view of Wednesday’s impending opening of the latest Harry Potter sorcery and witchcraft movie (at Regal Eagle Ridge and Carmike). Right behind Bruno, perhaps with his coy consent,  was Ice Age 2, which grossed $27.6 million in what has to be seen as a disappointment.

The spoiler is Transformers 2, which grossed $24.2 million to finish at No. 3. Down only 42 %, Transformers 2 is king of the box office for 2009 – so far. It has wheelbarrowed away $339.2 million, and it’s not done. Kids want to see the cool action and effects rather than the loveable animation and dialog of Ice Age 2.

Amazingly, Public Enemies held strong, losing only 45.4 % in its second week. The bland, vacuous characterizations may have been overcome by the excellent gunfights and audio of this technically sound film, not to mention the presence of the highly regarded Johnny Depp.

The Proposal fell the least of the Top Five – only 17 %, and was the last film in the Top Ten to gross in double digit millions – $10.6 million to be exact. To date, The Proposal has made $113.9 million, not bad for a film that cost $40 million to make, not including the marketing expenses. Not bad at all. Much of The Proposal’s success is due to Ryan Reynolds, who was recently tabbed to play the lead in the film adaptation of the Green Hornet.

MOVIE REVIEW: ‘The Proposal’

Saturday, July 4th, 2009

 

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MAKIN’ IT HAPPEN: Ryan Reynolds is the biggest reason The Proposal entertains, despite a weak and erratic script, and faulty direction. The Proposal plays at the Fairmount Cinema 6.

PHOTO COURTESY OF TOUCHSTONE PICTURES

A potentially strong story gets sidetracked by Betty White and her character’s antics in The Proposal, a romantic comedy that stars Ryan Reynolds and Sandra Bullock.

Despite that, Ryans and Bullock shine, particularly Reynolds, whose performance is fresh and nicely nuanced. He delivers his dialog, comedic and dramatic, with a crisp edginess and a modulated sarcasm, that let’s the laughs roll.

We know and love Bullock, and she is as endearing as always. She does not fully convince us of her arrogance and ruthlessness, as Meryl Streep did in The Devil Wears Prada, but go along with her and relish her transition.

The problem is that the movie sidetracks onto matriarchal themes, including wacky Grandma Annie’s Indian spiritism, unfunny sexual escapades, and insufferable manipulation. Frankly, I prayed for Grandma Annie’s violent death, preferably at the hands of Stuntman Mike as she glacially ambled across the street.

The story reaches its predictable conclusion, but viewers are left wondering just how the writers got there so quickly and with so little character development.

Reynolds and Bullock work enough magic, however, to make The Proposal a decent date movie or fodder for a Girls Night Out.

The Proposal is rated PG-13 for brief nudity, sexual themes, and the usual profanity.

Our SEBRING CINEMA AND SPORTS rating, 0 to 5 reels, 5 being a classic:

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MOVIE REVIEW: ‘Transformers: Revenge of The Fallen’

Saturday, July 4th, 2009

Your reaction to Transformers: Revenge of The Fallen will depend on where you are coming from and what’s important to you.

I have talked  to two teens: one (a girl) who thought it was a “classic”, and one (a guy) who thought it was overwrought and, at some points, offensive.

What Transformers 2 has is lots of CGI action, Megan Fox, and special effects a-plenty.

What it lacks is a strong storyline, character development, and believability.

For most, the former will prevail over the latter, as ticket sales attest. For the discriminating movie goer, however, Transformers offers little. While mythic in its proportions, the story simply defies belief. Yes, it’s fun, but frankly it was more fun to see our U.S. Armed Forces weapons in action, laying down some smack on the interstellar junk heaps.

My biggest complaint is the irrelevant sex scenes that producers and directors know will be seen by the young audience to which Transformers: Revenge of The Fallen is geared. The lack of creativity and goodwill is pathetic.

Of course, many kids will bypass such considerations and go to the film – at least some without a whit of concern from their parents. Such is life. Perhaps we are all becoming numbed by the endless sexual imagery.

Transformers: Revenge of The Fallen is rated PG-13 and plays at the Regal Eagle Ridge and the Carmike.

SEBRING CINEMA AND SPORTS rating, based on a scale of 0 to 5, 5 being a classic:

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MOVIE REVIEW: Realistic ‘Pelham’ Unnerves

Thursday, June 18th, 2009

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CALLING THE SHOTS: Ryder (John Travolta) tells the boys on the other end how it is going to be in the hostage action-drama The Taking of Pelham 123, playing at the Fairmount Cinema Square in Sebring.

PHOTO COURTESY OF COLUMBIA PICTURES

SEBRING, June 18, 2009 – Just another day becomes a city under siege that tests the moral fiber of a shady transit official in The Taking of Pelham 123.

Denzel Washington plays Walter Garber, an innocuous official who has risen through the ranks by putting his nose to the grindstone. John Travolta is Ryder, the self-loving, remorseless, concupiscent kidnapper hell-bent on getting everything he wants at any cost. They meet on the fateful day Ryder decides to take over a subway car.

The result is The TAking of Pelham 123’s taut, gut-wrenching suspense that, despite some flaws, will keep you riveted to your seats.

Washington’s portrayal of Garber, a type of Everyman, is on the money. Travolta’s Ryder is Jokeresque, irrevocably resolute in the pursuit of his insane yet ingenious goal. The supporting cast is solid, if unspectacular.

The detriments to the film are few: the jittery, stuttering cinenmatography, the uneven music, and the reality that America is more concerned about Islamic terrorism.

Our sense is that the cinematography should have been more character-focused and withy views from their perspective rather than the blurry action of an observer’s perspective, as if we were witnessing it. There was too strong an identification with Washington’s Garber character.

Nonetheless, the remake of The Taking of Pelham 123 is a nod to President Obama’s fight against greed and a nod to the ever-invasive effects, albeit salutary at times, of technology.

The Taking of Pelham 123 is rated R for language and violence, and it plays at the Fairmount Cinema 6.

Our Rating, 1 to 5 reels, 5 being a classic:

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CHECK IT OUT!

Thursday, June 11th, 2009

Your friends at Sebring Cinema and Sports suggest you check out the businesses and folks listed on the right side of our web page.

We display the major movies showing at the Fairmount Cinema 6, the top theater in Highlands County based on service, price, and movie offerings. That list will change tomorrow, when the highly acclaimed and anticipated Taking of Pelham 1 2 3 opens. Taking of Pelham 1 2 3 stars Denzel Washington and John Travolta.

Brewster’s Coffee House is, in our judgment, the No. 1 coffee shoppe in Highlands County, bar none. You cannot find a smoother hot coffee, nor tastier cold and frozen coffees and frozen smoothies, than at Brewster’s Coffee House. And their smiling service sparkles! Check out their ad on tthe right hand margin and see the article below. Brewster’s address and hours of operation are listed. Some people thought they closed. No way. They just moved. And they still have a drive-thru!

Richard bought a new riding lawn mower recently, so he is selling his Sears Craftsman 5000 with 25hp engine. Richard’s phone number is available on his ad. Richard keeps his stuff in good shape, so the Craftsman riding mower is a good one.

Need we say anything about Carrie Prejean? She is beautiful inside and out. Perez Hilton is a thug.

And thanks to Google for the timely and useful ads their service lists – all for your benefit.

Of course, check out Sebring Cinema and Sports’s locally relevant movie reviews and sports write-ups, with pictures and videos, like the ones below of volleyball, soccer, and softball.

More are coming. Enjoy!

MOVIE REVIEW: Nothing Can Save ‘Land of the Lost’

Friday, June 5th, 2009

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GROUP THERAPY: Holly (Anna Friel) and Will (Danny McBride) discuss their viewpoints with Dr. Robert Marshall in Land of the Lost.

PHOTO COURTESY OF UNIVERSAL PICTURES

SEBRING, June 5, 2009 – We hate to belittle a film but… .

What’s a reviewer to do when the film boasts little?

Land of the Lost is a self reflection of the work by Director Brad Silberling and scriptwriters Chris Henchy and Dennis McNicholas. There is no moral to the story. In fact, there is no story. The plot – a ridiculed scientist is validated by his space-time machine – is a funny mirror twisting of the original idea by Marty and Sid Krofft and fails to do justice even to them. Add a somnambulent performance by Will Ferrell and you get a movie even my 12-year-old called “boring.”

Worst of all is the script, which heads nowhere and patches together characters without chemistry. Character development is nil, except for a moment of revelation by the “love interest” (and we use that loosely) played by Anna Friel. Only Danny McBride gets an props for a job partially well done.

Land of the Lost is ridiculous, not funny; hackneyed and predictable with the usual insertion of irrelevant profanity and raunchy visual gags. It is not for children younger than 13 and may be not even for those older. All the dinosaurs and visual effects in the world cannot save Land of the Lost.

Rated PG-13 for language, randy themes and some CGI violence.

Our Sebring Cinema and Sports rating on a scale of 0 to 5, 5 being a classic:

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