Archive for the ‘box office’ Category

BOX OFFICE: Wolverine Claws To The Top

Monday, May 4th, 2009

SEBRING – May 4, 2009 – Looks like the Mutants have it!

In its first weekend of release, Wolverine: X-Men Origins, starring hunky Hugh Jackman, pretty much annihilated the competition (including co-hunk Matthew McConaughey) a tthe box office.

With an $87 million take the weekend of May 1-3 and a per theater average of over $21,000, Wolverine claimed the undisputed No. 1.

McConaughey’s Ghosts of Girlfriends Past followed – at a considerable distance – with a $15.3 million haul to land at No. 2. However, the No. 3 film, Obsessed (last week’s champ) finished with a slight per theater average edge, $4,853 to $4,827.

The top three films pay at the Fairmount. Nos. 4 and 5, 17 Again and Monsters vs. Aliens, play at the Carmike.

Our sense is the Wolverine story is strong and well-made, so it will be itnteresting to see what happens when Stark Trek, which will also show at the Fairmount beginning this Friday, collides with Marvel’s hunky hero. Star Trek films have traditionally performed solidly, but not spectacularly, at the box office. We will see whether J. J. Abrams (Lost, Cloverfield) can add new fans to the base.

BOX OFFICE: Fast & Furious Drives To Top!

Monday, April 6th, 2009

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RACE TO THE TOP: The streets are hot again as Dom (Vin Diesel) is behind the wheel to fend(er) off the comptetition in Fast & Furious, playing exclusively at the Fairmount Cinema 6.

PHOTO COURTESY OF UNIVERSAL PICTURES

SEBRING, April 6, 2009 – Vin, Paul, Michelle, and Jordana blew everyone’s gaskets and shot Fast & Furious to the top of the movie pile in sixth gear the weekend of April 3-5.

Drawn by Latino-Afro rhythms, blazingly fast cars in torrid races, stupendous stunts, beautiful bodies, and a rock solid plot, moviegoers around North America plunked down more than $70 million, a whopping $20,000 per theater average.

In Sebring, Fast & Furious blew the doors off the competition. The Fairmount’s first Friday evening show sold out more than an hour in advance. In fact, F & F sold out evening shows at the Fairmount Cinema 6 all weekend.

Coming in at No. 2 was last week’s champ, Monsters vs. Aliens, a terrific kid movie. It grossed more than $32 million.

The Haunting in Connecticut spooked its producers with a dismal, nearly 60 % drop from week One. Still, it grossed $9 million plus to finish at No. 3.

The apocalyptic religio-physioscientific extravaganza Knowing came in at No. 4 with an $8.1 million pull. This movie is underperforming. I find it provocative and intelligent, but the mixed message may be alienating both sides of the Religion vs. Physical Sciences debate instead of uniting them.

The comedy I Love You, Man pulled up the rear in the Top Five with a gross of $7.7 million.

The Fairmount Cinema 6 has owned the top theater title in Highlands County most of 2009 and had had it for several weeks before relinquishing it last week on the strength of Monsters vs. Aliens. However, after that one week hiatus, the Fairmount is back on top with 3 of the Top 5 movies.

Wherever you go, whatever you see, have a great time at the movies!

BOX OFFICE: 'Knowing,' 'Man,' Propel Fairmount to Top

Sunday, March 22nd, 2009

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PLANE PROPHECY: A commuter jet crashes before the runway at a Boston airport, just like a child’s numbered paper pulled from a time capsule said it would. It’s part of the creepiness of Knowing, the No. 1 film in the nation, which plays exclusively at the Fairmount Cinema 6 in Sebring.

PHOTO COURTESY OF SUMMIT ENTERTAINMENT

SEBRING, March 22, 2009 – The Fairmount’s run at the top as Highlands County’s most popular movie theater continues, if the national box office is the measuring stick.

The top two movies at the box office for the weekend of March 20-22 both played at the Fairmount Cinema 6: Knowing and I Love You, Man. The former was king with projected earnings of $24.8 million, while the latter was No. 2 with earnings of $18 million.

No. 3 was Duplicity, with $14.4 million. The only other film that grossed in double digits was Race to Witch Mountain, which earned $13 million.

Watchmen continues its plummet toward watchlessness. This perverse film that features male frontal nudity lost another 64 % in ticket sales. One hundred theaters dumped the bomb in just its third week. It continues to play at the Carmike.

Every movie at the Fairmount placed in the Top Ten except for Doubt, which was released last year and has just come to Highlands County. It is an excellently acted film worthy of your viewing. It stars Meryl Streep, Phillip Seymour Hoffman, and Amy Adams.

BOX OFFICE: People Watching the Watchmen

Tuesday, March 10th, 2009

SEBRING, March 10, 2009 – With tons of promotion, much like Friday the 13th, Watchmen took over the box office with $55 million +. It averaged a strong $15,000 plus per theater.

Will it last? That is the quesiton that next weekend must answer. Yahoo! user ratings, initially high for the adaptation of the DC graphic novel, plummeted a whole grade, from A- to B-. That’s not a good sign. It is an indicator that the film may not have the mainstream appeal for which the producers had hoped. Again, only time will tell.

No other film finished with double digits. The Fairmount Cinema 6 continued to dominate, offering three of the top five films on its screens: Madea Goes To Jail, Taken, and Slumdog Millionaire.

BOX OFFICE: Fairmount Rules

Tuesday, March 3rd, 2009

SEBRING, March 3, 2009The Fairmount Cinema 6 continues to dominate the Highlands County movie scene. It has made the right moves to nab the offerings that have most appealed to moviegoers.

The Fairmount hosted four of the top five box office hits the weekend of Feb. 27-March 1, including the champion, Madea Goes To Jail.

Despite a 60 % plus drop, Madea held on to the top spot with a take of $16.5 million, crushing Disney’s hopes for its Jonas Brothers 3D Concert.

Critics panned that concert release, and its take fell well short of Hannah Montana’s similar concert release of a year ago. The Jonas Brothers grabbed $12.7 million to finish second, but some experts expect a quick departure from the Top Ten. The Jonas Brothers is the only top five film not at the Fairmount.

Its Oscar win boosted sales for Slumdog Millionaire by 45 % across North America and gave it a weekend take of $12.15 million to finish third.

Taken continues to be the “sleeper hit” of the new year. Another $10 million weekend pushed Taken past the $100 million mark to a gross-to-date of $107.9 million. It finished fourth this weekend.

And He’s Just Not That Into You finished fifth with a $5.9 million take.

WHEREVER YOU GO, WHATEVER YOU SEE, HAVE A GREAT TIME AT THE MOVIES!!!

BOX OFFICE: Rehash Wins Box Office

Monday, February 16th, 2009

SEBRING, Feb. 16, 2009 – Connosiuers of refried beans, left over, pulled out of the fridge, and microwaved, again and again, will appreciate the remake of Friday the 13th. That means it’s time to roll out the Latin.

“De gustibus non est disputandum.”

Producer Michael Bay rounded up the best looking bods teenagerdom offered, threw them into one contrived situation after another, and gouged, cut, spiked, and axed them up to the tune of  $42.2 million to make Friday the 13th the box office champ for the weekend of Feb. 12-15. It plays at the Regal Eagle Ridge and the Carmike.

But while Hollywood proved, at least for one weekend, that you can do the same thing over and over again, and not very well at that, articulate audiences still took to some of the other films out there.

Ticket sales for He’s Just Not That Into You dropped only 30 percent to help it to a second place finish with a gross of $19.6 million.

Even more impressive was Taken, the action thriller of a CIA dad out to get his daughter back from kidnapers in Europe. Its ticket sales declined by a mere 6 percent so that it grossed $19.25 million in its third week of release. Taken has grossed almost $78 million since its release and is a surefire bet to cross $125 million and possibly even $150 million – a  nice profit for the makers and good promotion for Liam Neeson, a fne actor whose talents have not always been used well.

Confessions of a Shopaholic finished 4th wtih $15.4 million and Coralie finished 5th with $15,3 million.

Once again, three of the Top Five films played at the Fairmount Cinema 6: He’s Just Not That Into You, Taken, and Confessions of a Shopaholic.

Paul Blart: Mall Cop continues to impress. It hauled in $11.7 million this past weekend and has grossed more than $110 million since it debuted five weeks ago. It’s a huge winner for comic Kevin James. I would predict  sequel, but I see that comedian Seth Rogen has a nearly identical film coming out this year – a mall cop who comes to the rescue of a shopper and takes over the inveestigation into who attacked her. I think James is going to win this battle, but Rogen does appeal to those of a raunchier bent.

Paul Blart: Mall Cop plays at the Regal Eagle Ridge and the Carmike.

The International, with Clive Owen and Naomi Watts, debuted modestly with $10 million. The Pink Panther 2 is a dud. Though its numbers did not drop much from Week One, it is in way more theaters so that its per theater average is the lowest of any film in the Top Ten. Gran Torino has a better per theater average and still hauled in $6.75 million in its 10th week of release - and it’s still playig at the Fairmount Cinema 6, so now is a good time to catch it.

BOX OFFICE: Top Movies at the Fairmount

Wednesday, February 11th, 2009

SEBRING, February 11, 2009 - He’s Just Not That Into You and Taken ruled the roost atop the North American box office the weekend of Feb. 6-8, giving the Fairmount Cinema 6 a crushing advantage over the other county theater, the Carmike.

He’s Just Not That Into You grossed $27.8 million to finish first and usurp Taken’s No. 1 spot, but the Liam Neeson actioner about a dad with deadly skills going after his daughter’s abductors dropped a ridiculously low 16.9 % from its debut to its second week. Taken grossed $20.5 million to grab that No. 2 spot.

Together, He’s Just Not That Into You and Taken grossed $10 million more than the next three movies combined, an early indication that they are resonating with audiences. The Pink Panther 2, on the other hand, debuted weakly, having lost its native attraction to sophisticated viewers. It now panders to a narrower range of children with its excessive use of predictable pratfalls.

By its dollar votes, the viewing public  heartily recommends Taken and He’s Just Not That Into You.

BOX OFFICE: Fairmount Grabs Top Spots

Thursday, February 5th, 2009

SEBRING, February 5, 2009 – Three of the top five grossing movies for the weekend of Jan. 30 – Feb. 1 played at the Fairmount Cinema 6.

Taken, starring Liam Neeson as a deadly CIA agent whose daughter has been kidnapped during a European trip, took top honors with a $24 + million haul. It also sported a solid $7,800 per theater average, tops in the Top Ten. This exciting action film plays at the Fairmount.

Paul Blart: Mall Cop, finished at No. 2 after two weeks at No. 1. It plays at the Regal Eagle Ridge and at the Carmike.

Scare flick The Uninvited hauled in $10,3 million to register as the only other movie in double digits for the Super Bowl weekend. It also plays at the Fairmount.

Hotel for Dogs and Clint Eastwood’s smart, emotional film of atonement, Gran Torino, rounded out the top five. Hotel for Dogs plays at the Regal Eagle Ridge and Gran Torino at the Fairmount.

We give high marks for Gran Torino, a film for which both young and old have left the theater with a favorable impression.

BOX OFFICE: "Mall Cop" Tops; "Underworld" 2nd

Monday, January 26th, 2009

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TAKING AIM: Walt Kowalski (Clint Eastwood) asserts his property rights in a decrepit Detroit neighborhood in Gran Torino, which plays exclusively at the Fairmount Cinema 6.

PHOTO COURTESY OF WARNER BROS.

SEBRING, January 26, 2009 – Funnyman Kevin James kept them laughing as his Paul Blart: Mall Cop topped the box office for the second week in a row with $21.5 million.

Underworld 3: Rise of the Lycans finished a close second with $20.7 million. That’s quite a feat for the third installment of the series (and a prequel at that) that starred Kate Beckinsale and Scott Speedman, neither of whom was in this one.

That’s because the gloomy gothic setting, terrific action, and actors Michael Sheen, Rhona Mitra, and Bill Nighy fleshed out an inter-species Romeo and Juliet story rife with civil rights overtones.

Gran Torino rounded out the top three with $16 million. Clint Eastwood’s portrayal of gritty, guilt-ridden Walt Kowalski living in a rapidly deteriorating, ethnically changing neighborhood keeps drawing in fans. Of all the existing Top Ten films that did not add theaters, Gran Torino dropped the least from last week: 27.2%.

Be on the look0ut: Four new movies open this Friday, all at the Fairmount Cinema 6.

BOX OFFICE: 'Marley and Me' Tops!

Monday, December 29th, 2008

SEBRING, December 29, 2008 - Owen Wilson, Jennifer Aniston, and a dog pushed Marley and Me to the top of the box office charts for the weekend of Dec. 26-28.

And they did so amid some of the fiercest competition for a Christmas day opener. Marley and Me had to fend off big names Tom Cruise (Valkyrie), Brad Pitt (The Curious Case of Benjamin Button) and Adam Sandler (Bedtime Stories) to earn the championship.

Marley and Me grossed $37 million at theatres in North America. Bedtime Stories finished second with $28 million, followed by The Curious Case of Benjamin Button with $27 million and Valkyrie with $21.5 million.

Yes Man and Seven Pounds finished fifth and sixth with $16.45 million and $13.4 million respectively.

No other films finished in double digit millions.

Four of the top six films played at the Fairmount Cinema 6, and its parking lot was full to overflowing on Christmas, as local moviegoers took advantage of its superior offerings, less expensive ticket prices, and outstanding customer service.

Marley and Me also won the top spot in per theatre average, hauling in $10,632. Benjamin Button took second place with a $9,036 per theatre draw.

The moviegoing weekend was good overall, with heavy attendance across the nation that helped films drop by only single digit percentages.